A FILM-INSPIRED CAMERA FOR IPHONE.
THE PHOTOGRAPH IS FINISHED WHEN YOU TAKE IT.
Isochrome is a camera, not an editor. You choose a film simulation, frame the shot and press the shutter — and the photograph is finished. Twenty-one simulations render live in the viewfinder, so the look is part of taking the picture rather than something applied afterwards. It is not real film and does not pretend to be: each simulation is a considered digital interpretation of a classic 35mm stock, its grain, contrast curve and colour temperament. Aperture, shutter and ISO are there when you want them. Three simulations are free permanently, and nothing leaves the device — no account, no analytics, no server.
Shorter still: “An iPhone camera for people tired of editing every photograph.”
Whichever fits your readers. They are the same app seen from different sides.
Phone photography has quietly become a post-production habit — take the picture, decide later what it should look like. Most people never get to later. Isochrome puts the decision back at the shutter, which is what made shooting film feel like photography.
It does not claim to be film. Each simulation is described as a digital interpretation of a stock — an unusually plain position in a category built on the opposite.
Built for photographers who own a Fuji, Ricoh or film body and want a photographic experience on the phone they actually carry — and for people whose iPhone was always the camera, who simply want frames with more character and no editing queue.
Twenty-one simulations across three families — twelve colour negative, four reversal, five black and white. Three are free permanently. Nothing is sold individually; Pro opens all of them at once.
Optional, and exposed into the frame at capture rather than layered over it afterwards — the same way a film camera burnt the date into the negative. It runs down the left edge of the frame and carries the film loaded at the time. Every photograph on this page was shot with it on.
Four formats, or off entirely.
“Isochrome works the way shooting film works. You choose the film first, then you shoot — and that is the photograph. There is no editing afterwards, because there is nothing left to decide.”
ANDREAS PRATIKTO
“Most photographs taken on a phone are never edited anyway. Isochrome just moves the decision to where film always had it: before the shutter, not after. Choose a look, frame the shot, press the shutter — the photograph is finished when you take it.”
ANDREAS PRATIKTO
Sixteen photographs, all made with Isochrome and unedited, straight from the app. Free to use in coverage of Isochrome, credited “Made with Isochrome”. Click any frame to open it at full width.
Transparent PNGs at 1000×2167, so they drop onto any background. They show the real interface with real photographs in the viewfinder, with no headline text over them.
Five at 1260×2736. These carry their own device frame and headline text — they are marketing images rather than raw interface.
One archive with everything on this page: the sixteen photographs at 1600px, the three device mockups, the five App Store screenshots, the app icon at 1024×1024, this press kit as Markdown, and the photo list as JSON.
DOWNLOAD THE PRESS KIT — ZIP, 18 MBThe three free simulations need no purchase. A subscription offer code for full access is available to reviewers — write to hello@unpixeled.com.
All assets on this page are free to use in coverage of Isochrome. Photographs should carry the credit “Made with Isochrome”.
Isochrome's film emulations are independently developed and are not affiliated with, sponsored by, or endorsed by Eastman Kodak Company, Kodak Alaris, FUJIFILM Corporation, Harman Technology Limited (Ilford, Kentmere), or CineStill, Inc. All film names, product names and related marks are trademarks of their respective owners and are used here for descriptive purposes only.